람한 작가

Ram Han

1980's
Seoul
Digital Media
Painting
Video

STUDIO

SELECTED EXHIBITIONS

Distorted Memory
Virtual Space
Painting
maro and me 01

Inaudible Garden, Whistle, 2024

Souvenir study (hatchery)

Spawning Scenery, Whistle, 2022

Case_01_03(city)_low 1

Words at an Exhibition - an exhibition in ten chapters and five poems, Busan Biennale Organizing Committee, 2020

Room type 1

Phantom Arm, SeMA, Buk-Seoul Museum of Art, 2018

maro and me 01

Inaudible Garden, Whistle, 2024

Souvenir study (hatchery)

Spawning Scenery, Whistle, 2022

Case_01_03(city)_low 1

Words at an Exhibition - an exhibition in ten chapters and five poems, Busan Biennale Organizing Committee, 2020

Room type 1

Phantom Arm, SeMA, Buk-Seoul Museum of Art, 2018

'24
'22
'20
'18

Ram Han uses digital drawing to trace distorted fragments of memory with unclear origins. Based on the view that memory is inherently ambiguous, she experiments with how drawings created in digital space materialize in the physical world through her body’s movements between these two realms, exploring the intersection of digital imagery and material surfaces.

람한은 변형되고 출처가 모호해진 기억의 조각을 디지털 드로잉이라는 방식을 통해 추적한다. 기억의 본질은 모호함에서 비롯한다는 일련의 시선을 바탕으로 물리 세계와 가상공간 사이에 위치한 자신의 신체 움직임을 통해 디지털 공간에서 이루어진 드로잉이 현실 공간에서 발현하는 방식을 실험하며 디지털 이미지와 물질적 표면이 만나는 지점을 탐구해 왔다.

INTERVIEW

TEXT

케이 왓슨 Kay Watson (서펜타인 큐레이터)
2024
괴물 같은 소비: 람한의 세계를 먹다
RAF-A | Ram Han